Singing backup? Do it at La Scala!

The end of the now-infamous Aida performance brought a 9-minute ovation, much of it for the man who took Roberto Alagna's place after the insulted tenor stormed off stage.

Antonello Palombi went on stage still dressed in jeans and a long black shirt. Why wouldn't an understudy have been fully prepped to step into the role at a moment's notice? Curious, don't you think?

Get this: apparently, Palombi was the third understudy in line! Was he just a lot quicker on the draw than the first understudy, was in full costume? Was #1 snoozing, and therefore losing this grand opportunity? All that press!

Three understudies - that we know of. Just how deep of a bench do they have at La Scala, anyway? And remember: the Italian government pays for 90 percent of La Scala's costs! Tickets account for only ten percent of its operating budget. No fundraising. This public radio employee is beyond green with envy!

Here's Corriere della Sera's report, in English, on the December 9th drama.

Gillian Coldsnow