Their domestic life must be an opera in itself.

Roberto Alagna's wife, the Romanian soprano Angela Gheorghiu, is also known for her diva displays. The New York Times writes:

"Mr. Alagna’s wife, Angela Gheorghiu, has just withdrawn from a Royal Opera production of “Don Carlo” in London next season. A company spokesman said she was “uncomfortable” with the role.

"The couple have had their problems in the past. Ms. Gheorghiu refused to wear a blond wig during a Metropolitan Opera tour of “Carmen” in Japan and was replaced by her understudy for a performance. The Met also withdrew a contract for the couple for “La Traviata,” apparently over a dispute about the set design. They have since been invited back."

I've read Roberto and Angela are called ``the Bonnie and Clyde'' of opera, and Gheorghiu has been called 'Draculette.'

But unlike Alagna, Ms. Gheorghiu is a darling of La Scala. So when her husband threatened that the both of them would withdraw from performances there, she can't have been too happy.

Wouldn't you love to be fly on their wall? Impromptu opera!

And petulance at La Scala!

No tempest in a teacup, this. Tenor Roberto Alagna, singing Radames on Sunday night (December 9) just couldn't stomach the boos coming from the tough loggionisti (balcony spectators) at La Scala and stomped off the stage, leaving his leading lady to struggle through the duet by herself.

Everyone's talking about it. Even people who don't care for opera have heard about it. It seems that the diva tantrums of yore really don't happen very much these days (oh, wait, of course, there WAS Kathleen Battle) - so that this big tenor hissy fit made news all over the world.

I found a blog of an opera lover in Milan who gives all the dirt, and then some (!) on this incident and its continuing fallout. Read Opera Chic for some good old-fashioned opera-drama-behind-the-scenes!

I really love what one opera critic said on the BBC. When asked why Alagna would jeopardize his career by stomping of the stage of THE temple of opera, the critic said, "well, tenors are notoriously fragile creatures."

Gillian Coldsnow